What’s Too Much (Smokey Robinson, 1987)ĩ0. Come on Do the Jerk (The Miracles, 1964)Ĩ9. We’ve Saved the Best for Last (Kenny G with Smokey Robinson, 1989)Ĩ8. Old Fashioned Love (Smokey Robinson, 1982)Ĩ7. Tell Me Tomorrow (Smokey Robinson, 1982)Ĩ6. Who’s Lovin’ You (Terence Trent D’Arby, 1987)Ĩ3. Walk and Don’t Look Back (Peter Tosh with Mick Jagger, 1978)Ĩ2. Blame It on Love (Smokey Robinson & Barbara Mitchell, 1983)Ĩ1. The Tears of a Clown (The English Beat, 1979)Ĩ0. Mighty Good Lovin’ (The Miracles, 1961)ħ9. Everybody’s Gotta Pay Some Dues (The Miracles, 1961)ħ8. I Like It Like That (The Miracles, 1964)ħ7. A Love She Can Count On (The Miracles, 1963)ħ6. Baby, Baby Don’t Cry (The Miracles, 1969)ħ4. My Guy/My Girl (Amii Stewart & Johnny Bristol, 1980)ħ2. Ebony Eyes (Rick James with Smokey Robinson, 1983)ħ0. Don’t Mess with Bill (The Marvelettes, 1966)Ħ9. The One Who Really Loves You (Mary Wells, 1962)Ħ8. Take This Heart of Mine (Marvin Gaye, 1966)Ħ7. What’s So Good About Goodbye (The Miracles, 1962)Ħ6. That’s What Love Is Made Of (The Miracles, 1964)Ħ4. You Beat Me to the Punch (Mary Wells, 1962) #1 RBĦ2. You’ve Really Got a Hold on Me (Eddie Money, 1977)Ħ1. The Hunter Gets Captured by the Game (The Marvelettes, 1966)Ħ0. Who’s Lovin’ You (Brenda & the Tabulations, 1967)ĥ9. You Threw a Lucky Punch (Gene Chandler, 1962)ĥ8. Cruisin’ (Huey Lewis & Gwyneth Paltrow, 2000) #1 AC, AUĥ7. A Breath Taking Guy (The Supremes, 1963)ĥ6. Your Wonderful, Sweet, Sweet Love (The Supremes, 1972)ĥ5. First I Look at the Purse (The Contours, 1965)ĥ4.
The Love I Saw in You Was Just a Mirage (The Miracles, 1967)ĥ3. I Gotta Dance to Keep from Crying (The Miracles, 1963)ĥ2. The Way You Do the Things You Do (Rita Coolidge, 1978)ĥ1. One More Heartache (Marvin Gaye, 1966)Ĥ8. Don’t Look Back (The Temptations, 1965)Ĥ7. The Tracks of My Tears (Aretha Franklin, 1969)Ĥ6. I’ll Be in Trouble (The Temptations, 1964)Ĥ5. Pops, We Love You (A Tribute to Father) (Diana Ross, Marvin Gaye, Smokey Robinson, & Stevie Wonder 1978)Ĥ4. I Don’t Blame You at All (The Miracles, 1971)Ĥ3. I’ll Be Doggone (Marvin Gaye, 1965) #1 RBģ7. I’ll Try Something New (The Miracles, 1962)ģ5. Still Water (Love) (The Four Tops, 1970)ģ4. Automatically Sunshine (The Supremes, 1972)ģ3. Come ‘Round Here, I’m the One You Need (The Miracles, 1966)ģ2. Who’s Lovin’ You (The Jackson 5, 1969)ģ1. Going to a Go-Go (The Rolling Stones, 1982)ģ0. Just to See Her (Smokey Robinson, 1987) #1 ACĢ6. Since I Lost My Baby (The Temptations, 1965)Ģ4. The Way You Do the Things You Do (Hall & Oates, 1985)Ģ3. Shop Around (Captain & Tennille, 1976) #1 ACĢ1. Ain’t That Peculiar (Marvin Gaye, 1965) #1 RBĢ0. The Way You Do the Things You Do (UB40, 1989)ġ9. Get Ready (The Temptations, 1966) #1 RBġ5. The Tracks of My Tears (Linda Ronstadt, 1975)ġ4. Cruisin’ (Smokey Robinson, 1979) #1 CBġ3. Love Machine (The Miracles, 1975) #1 US, CB, HRġ2. I Second That Emotion (The Miracles, 1967) #1 RBġ1. The Way You Do the Things You Do (The Temptations, 1964)ġ0. Being with You (Smokey Robinson, 1981) #1 CB, HR, RR, RB, UKĨ. You’ve Really Got a Hold on Me (The Miracles, 1962) #1 RBħ. My Guy (Mary Wells, 1964) #1 US, CB, RB, AUĥ. The Tears of a Clown (The Miracles, 1970) #1 US, CB, RB, UKĤ. The Tracks of My Tears (The Miracles, 1965)ģ. Songs which hit #1 on various charts are noted. Dave’s Music Database lists are determined by song’s appearances on best-of lists as well as chart success, sales, radio airplay, streaming, and awards.
The recording artist is noted in parentheses. This list includes Robinson’s work as a solo artist, with the Miracles, and as a songwriter. Record executive and songwriter for Motown. With The Miracles (55-72) and later a solo artist. Overall, it is just not an LP of just one hit with hasty filler, nor is it a noisy dance album, it’s simply a nicely sequenced collection of well-crafted, well sung early Motown recordings.R&B singer/songwriter born William Robinson, Jr.
#Mary wells greatest hits rar full#
Mary’s vocal interplay with the Andantes makes this one of Motown’s first full listenable LP’s circa 1964. Side Two sees Mary in a MOR type setting with updated versions of “now” standards, “I Only Have Eyes For You”, “At Last”, “You Do Something To Me”, and notably “My Baby Just Cares For Me”. The closing track of Side One “He Holds His Own” is the version cut before the Supremes a year later, but Mary continues to captivate listeners with her husky smooth vocals backed by The Four Tops AND Supremes. Either one would have been the perfect follow-up single to “My Guy”. The first two tracks of Side One “He’s The One I Love” and “Whisper You Love Me Boy” are among the finest tracks Mary cut at Motown. Originally released as “My Guy” was topping the charts, this LP could have gone much further up the charts (peaking at #111 although her “Greatest Hits” LP out simultaneously hit #18) if Mary did not decide to leave Motown.
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